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[rk. 1]
15 likes$11.23
The Underground Reporters (Holocaust Remembrance Series)
[rk. 2]
15 likes$3,000.00
The Father Duffy Poster, 11.5 x 18 inches, created by Dennis Harper (dennisharper.com), depicting his creative partner Jay Gaulding and his car. Both worked for Hooka news starting in 1970. Hooka Notes (Humanitarian Order of Kosmic Awareness) was a biweekly underground newspaper published in Dallas, Texas in the early 70s. It was edited by J. R. Compton (jrcompton.com). This is the heavy-paper ORIGINAL art. You should know that the orthochromatic press cameras used at that time to reproduce line art (no intermediate tonalities) for offset presses were equally sensitive to red and black. And not at all sensitive to "nonreproducible blue" (actually a light cyan). So the red areas in this original art reproduced as black. The streaks and spots of liquid paper were used to block out red or black lines. The strip appeared as high contrast black and white, with only crosshatching to show tonality. With a blend of New Left political activism, hippie/drug counterculture, and underground comix and graphics, the paper developed a growing citywide and regional readership.
[rk. 3]
15 likes$39.95
Oracle Rising: The Recreation of the Original Haight Ashbury Hippie Psychedelic Underground Newspaper [VHS]
[rk. 4]
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Bugle American Milwaukee Underground Newspaper Magazine February 11 1976 4th Annual Photo Issue
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Bugle American Magazine August 27, 1976 #255 Special Music Issue Milwaukee Underground Newspaper
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This Peter Fonda Chopper Kit poster, 18 x 22 inches, created by Dennis Harper (dennisharper.com) and Jay Gaulding, appeared in the Dallas Hooka Notes underground paper during the eary 70s. Hooka Notes (Humanitarian Order of Kosmic Awareness) was a biweekly underground newspaper published in Dallas, Texas in the early 70s. It was edited by J. R. Compton (jrcompton.com). This is the heavy-paper ORIGINAL art. You should know that the orthochromatic press cameras used at that time to reproduce line art (no intermediate tonalities) for offset presses were equally sensitive to red and black. And not at all sensitive to "nonreproducible blue" (actually a light cyan). So the red areas in this original art reproduced as black. The streaks and spots of liquid paper were used to block out red or black lines. The strip appeared as high contrast black and white, with only crosshatching to show tonality. If you don't fully grasp all the nuances in the story, read it again. Some are subtle, some overt. With a blend of New Left political activism, hippie/drug counterculture, and underground comix and graphics, the paper developed a growing citywide and regional readership.
Go to see$3,000.00
